Category: #TKEurope2015


Jul
2015

#KoristaAko: Mcoy Fundales

categories: #KoristaAko, #TKEurope2015, Music

Choristories (2)

Welcome to another edition of #KoristaAko! This is a special edition, because we have a real star from a different side of the music spectrum–rock music. Yes, friends, you’ve read it right. No less than Mcoy Fundales of the Pinoy Ako/PBB/Orange and Lemons/Kenyo fame started as a korista. And just recently, he revisited his choral singing experience on a European concert tour.

Musikerong Daddy ng PBB. Photo: www.pep.ph

In Pinoy Big Brother Celebrity Edition, he was known as “Musikerong Daddy” who hails from Bulacan. His former band, Orange and Lemons, were behind the success of Pinoy Ako, PBB’s theme song. I got the chance to really get to know Kuya Mcoy during our rehearsals and our trip for the Barasoain Kalinangan Foundation, Inc., where we were both invited to sing and tour Europe with last June. I got to know how really talented he is (he doesn’t read notes, but has a very good ear in music). He’s singing tenor. The fact that we were only ten, and they were only two tenors in the group, is testament to how he did well as chorister. Not only that, we encountered a funny, positive, and very humble rockstar dad especially during the trip. He doesn’t look like he has a college graduate for a daughter already (yes, he has, and he looks and is very young, in fact). It was a blessing to know him personally.

In one of our performances, Vienna, Austria.

He graciously agreed to appear in this month’s #KoristaAko, and here’s what he had to share:

Name: Marco “Mcoy” Fundales

Current profession: School owner/president (Young Achievers Montessori School), Vocalist/songwriter KENYO (formerly known as Orange and Lemons), TV and movie writer (he’s part of the Creative Team of Pepito Manaloto on GMA7).

Choirs joined (and years if possible): Mariano Ponce High School Choir and San Agustin Parish Choir (both in Baliwag, 1992-1994).

Why did you join the choir? What was that something or someone that influenced you? : I’ve always been fascinated with the marriage of voices, choir music takes me to another level of consciousness every time I listen to it. I’ve often wondered what it takes to form a group and what happens behind the scenes in order to create harmony among members (literally and relationship wise)

What is your favourite song arranged or composed for choir and why?: Ato del Rosario’s take and arrangement on the traditional Pasyon Senakulo. It’s so pretty, you’d want to sing it throughout the year if possible. We brought this work to Europe, and is one of my favourites, too. –> see a portion of the work here

What was the hardest piece you’ve studied? ANAK (Robert Delgado’s) –> this one we studied for the trip, and it was indeed hard!

Any choir/s or vocal ensembles you look up to and why?: Philippine Madrigal Singers! They are always a treat and an experience to listen to! I’m also a fan of The Company. The members are even great people off stage. Great friends. They took OPM to a higher level because of their work.

What is your most unforgettable choral moment?: To sing with a choir in a European cultural mission/tour after almost 2 decades of hiatus from choral singing.

#KoristaAko dahil: Dito ako nagsimula bago ako pinalad sa larangan ng pagbabanda. Hindi mawawala ang pagmamahal ko sa musika ng isang koro tulad ng pagmamahal ko sa iba pang anyo at sining ng musika.   Thank you for your wonderful answers, Kuya Mcoy! And thank you for inspiring us to sing in a choir, too.

With the rockstar and certified korista, Mcoy Fundales!
With the rockstar and certified korista, Mcoy Fundales!

To end, here’s our performance of his hit song, Pinoy Ako. So now you probably know why and how starstruck I am during this trip. No less than its singer performing his own song with you, in a choir. Such a rare privilege!

#KoristaAko is powered by Touringkitty. Tune in for the latest post every last Wednesday of the month. Follow on Facebook, Twitter, and Instagram for updates.


Jul
2015

#TKEurope2015: Pasyon

categories: #TKEurope2015, Art and Culture, Career, Choirs, Music, Travel, Uncategorized

What brought us to Europe is the invitation to the Barasoain Kalinangan Foundation, Inc. to perform for the Prague Quadrennial of Performance Design and Space. Held every four years, PQ as it is popularly called, gathers together artists from all ofer the world for an exhibition. Prague turns into a huge arts hub, literally, including its streets.

I, and some more choristers from various groups were invited to join the trip. It is an honour for us to be part of this trip, as well as to represent the country in such a performance.

For this trip, we prepared two sets of repertoire: First is the “Kamanyang,” all-Filipino choral, ensemble, and popular music selections, and “Pasyon,” which is a cappella choral music in Filipino. One of the songs in the popular music section is Pinoy Ako (more popularly heard from Pinoy Big Brother), written by Kenyo’s Mcoy Fundales. But that’s another story for another day, so stay tuned.

The main event of the tour was the Prague Quadrennial, where we are to perform scenes from the Passion of Christ in the streets of Prague, which is widely performed as a theater production all over the Philippines during Holy Week. Our production has a different take– even if the text was purely Filipino, choral music was the main vehicle to transcend the message to the foreign audience, in Europe especially, where choral music is rich and accessible.

And the man behind the wonderful music we’ve sung is musical director and composer Ato del Rosario. I’ve known Kuya Ato since my Madz days, when we used to record songs in his Quezon City home. I got to know him and his music more during this tour. And what wonderful music he created!

Since we first rehearsed songs for the Kamanyang part, some songs for the Pasyon Kuya Ato would write the day (or perhaps hours) before we’d meet for rehearsals. And they were gems! Easy-to-the-ears melodic lines. They may talk about Christ’s passion which was supposed to be sad and melancholic, but the melodies in his works are heartwarming. I have never liked the Pasyon (because I know it’s sad) until this work came along!

The scenes chosen complemented each other, and were sequenced well. We had three-line interludes in between musical numbers, which tied up the next scene from the previous one. Script was written by Joseph Sonny Cristobal, and stage direction was by Arman Sta. Ana. The staging in Prague was in the streets, so we had liberty to use a 40 ft x40 ft space and move around with props and costume changes. As with the church as venue (in Venice and Vienna), we were limited, so we did it concert style. Not your typical choral set up–some are sitting and some standing. Add the fact that we are limited in number–only ten singers (3 sopranos, 2 altos, 2 tenors, and 3 basses). So this was for us a challenge yet a blessing, because we got to work harder therefore work closely with one another. And hearing positive feedback from our audience, as well as our hosts and friends who watched was definitely the cherry on top of the icing!

 

PQ15 performance and the PQ15 Philippine contingent.
 
Enough of the descriptions, here’s a sampling of one of the works. The last two scenes, “La Pieta” and “Pagkabuhay.” Soloist for La Pieta is Verona Fortaleza McDonnell, who did the part with so much emotion and passion. This was the last performance of the tour in Fava, Venice, Italy.

Be blessed! Be a blessing!

~ Touringkitty


Jul
2015

#TKEurope2015: How it came to be

categories: #TKEurope2015, Career, Choirs, Travel

Visiting Europe four times without worrying too much on airfare and accommodations was more like winning the lottery or a raffle. But this would not be possible, in my case, if it were not for the musical talent God gave me. And for that I am humbled, honored, privileged, and happy to share His music to more people.

 

Touringkitty is back as well!
 
Yes, dear TK readers, as I have posted in my IG and Facebook pages, I got a chance to travel Europe again, this time not with the Philippine Madrigal Singers, but through an invitation from a theater group from Bulacan. I get to sing AND do some acting and costumes this time, as we presented Pasyon scenes.

Reenactment of Pasyon is very popular in the Philippines every Holy Week. Some text from the Pasyong Mahal (another great Filipino tradition of recitation of this very long text in Holy Week) was set to beautiful music by Ato del Rosario. This comprised the main part of the trip, as we first presented this musical theater piece in the Prague Quadrennial of Design and Space on June 19. Succeeding performances saw us doing a concert style performance (sans movement and pure blocking only) in Vienna, Austria and Venice, Italy.

The first half of this year covered preparation for this trip. My weekends were always on field, literally, as we travel Bulacan for rehearsals only. Such a sacrifice for the invited performers, but was all good given the output performances which made some people cry, smile, sympathize, and reflect on the Passion of Christ.

Preparing for the trip also prepared me for the people I will be with away from our motherland for two weeks in June. I gained friends, old and new, and good musicians too. Friends who made the tour a lot lighter and happier.

Am excited to write about the rest of the trip, of course including the pasyal and pasalubong–two things loved by our families. Also did not forget to pass by one church at each stop and offer candles and prayers for my concerns and those of my family and friends. Will also give some tips for the first time Euro biyahero.

Meanwhile I must rest and recover immediately to do these. Hope to get on the articles asap.

Before I end, here’s one of my favourite photos of the tour and a quote I like to share:
 

Traveling: it leaves you speechless then turns you into a storyteller. – Ibn Battuta
 
Travel pa more!
~ Touringkitty